1983年5月19日，安德烈·塔可夫斯基（左）和法国导演罗伯特·布列松在第36届戛纳电影节上。两人凭影片《乡愁》（塔可夫斯基）和《钱》（布列松）共同获得最佳导演奖 图/视觉中国
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Sometimes as a child I had trouble falling asleep. But from age 11 and through my early teenage years, recreating the film Mamma Mia! in my head frame-by-frame was my remedy. Running each line of dialogue through my mind and bringing to life the colour of the characters’ clothes, usually by the time they arrive flustered from their journey, I would drift off.
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